Writers Resources – Mythic Scribes Test Site

Critiques: A How-To Guide

By far, one of the most useful tools in a writer’s arsenal is the critique. But what is a critique? What makes a good critique? And how do I critique for a writer who wants to trade?

When I began trading work, I wasn’t sure what to do or what to expect. After three years I’ve gained experience, and have settled into a sort of structure on how to best aid other writers and request the feedback that I find most useful.

While the critique relationship is best based on mutual respect and a genuine desire to help, it’s also a mostly negative undertaking. Through a balance of praise and recognition for the things that wow you as a reader, the nit-picks hurt less for the writer.

Cover to Cover III: Owning a First Draft

by Philip Overby

This is my third entry in my Cover to Cover series which follows a novel from inception to potential publication. It’s interesting to note since I started doing this, my novel has changed quite significantly. Most notable is that I completed a first draft last month.

If you’ve ever completed a long first draft, then you know how time-consuming and rewarding it can be to type “The End.” I was elated. It’s done, right? Well, no. The dreaded edit comes next. However, sometimes just getting the first draft down can be quite a slog for many writers.

So how do you get from inkling of an idea to a completed first draft? I’ll tell you how I did it and hopefully it will be of some help to others.

Racial Diversity in Speculative Fiction

by Featured Author

This article is by Anne Leonard.

A current – and recurring – topic of conversation in the SFF writer/ blogger/ reader community is the lack of people of color (POC) writing and publishing in the field. (This is also an issue in the literary community in general; here’s a recent post on the subject that appeared on the Book Riot website.)

People of color are underrepresented in SFF for a lot of reasons, but one which I see frequently mentioned is that books without diversity make POC feel excluded. This creates a vicious circle – POC don’t read SFF, so they don’t write SFF, so there aren’t POC in SFF books, so POC don’t read SFF. One way to break the cycle is for white writers to include more diversity in their own work.

The Benefits of Outlining: A Layered Approach

by Featured Author

This article is by Steven M. Long.

Everybody outlines. The second a writer imagines one scene following another, that writer is creating an outline, even if the outline is incomplete and only in their head.

Referring to a novel writer as an “outliner” usually indicates someone who feels more comfortable with and sees the benefits of knowing – sometimes in great detail – where their novel is headed.

As you can probably guess, I outline, and over the time I’ve been writing novels (I’ve written four, two of them pretty good) I’ve been told repeatedly that I should just “let it go” and that I’m “ruining my creative process.” As often as not, these comments come from people who’ve never finished a novel.

How to Write a Query Letter

by A. Howitt

Writing a query letter is akin to going to a job interview. It’s your first chance to make an impression, and often times, it’s also your last.

It’s this philosophy, coupled with my experience as a recruiter, that leads me to want to put my best foot forward, knowing that I may never get another shot.

As a person who has conducted hundreds of interviews, I can only tell you that resumes with quirky fonts, or pages of meaningless, random facts about previous jobs, didn’t impress me any more than the people who showed up in sweatpants or hoodies to be interviewed.

Who Is the Founder of Mythic Scribes?

by Mythic Scribes

The mysterious founder of Mythic Scribes, Dr. Antonio del Drago, is a mystery no longer. He was recently interviewed by our good friends at The Roundtable Podcast. For those who aren’t familiar with it, The Roundtable Podcast is one of the best podcasts for writers, and is a finalist for the 2012 Parsec Awards. Every … Read more

Know the Rules. Understand the Rules. Break the Rules.

by Tristan Gregory

When it comes to writing, I like to say that there are no rules. However, that is not entirely accurate. There is one rule:

Use What Works
Weren’t you listening? One rule! That’s it!

This is a pretty obvious rule, assuming your goal is to write something that other people want to read.

If that isn’t your goal, then you would want to use what didn’t work… which, remembering your goal, would work. Which means you’re still the following the rule. Hrm.

My head hurts.

In the context of creative writing, rules are – as a certain pirate captain might say – really more like guidelines. Use them when they work and ignore them when you have enough reason.

Finding your Writer’s Voice

by Dave Robison

One of the fundamental challenges confronting every writer is “finding their voice”, their unique expression in the field or medium in which they’ve chosen to express themselves. When Alasdair Stuart – editor of The Hub e-zine and host of the horror podcast Pseudopod – was asked to identify the quality that defines the stories he’s drawn to, he sited, “a strong confident authorial voice. That feeling of, for want of a better word, swagger. If you can hit that point where you are in absolute control of your story… but it’s still you, then that really makes me sit up and take notice.”

We all strive for that effortless grace and utter conviction that transports our readers to the worlds we’ve crafted. It can’t be faked, applied, or forced. It just is, and the way to achieve such prose is NOT necessarily to write more.