‘Soft’ Magic Systems Still Have a Place

This article is by Ashley Capes.

soft magicThe idea that magic in fiction might possess or need a ‘system’ was nonexistent to me when I first read my favourites as a boy in the early 1990s.

Magic was but a component to the awe and wonder within the stories. I didn’t need to know how magic worked, only that magic worked. I never questioned it and certainly wouldn’t have wanted to. Gandalf, for instance, simply wouldn’t have been the same figure of mystery and power if I knew the way his magic functioned.

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Magical Creatures for Magical Worlds: Fairies

FairyFantasy is a genre where the mythical and made-up can be reality, where the fact that something is physically impossible doesn’t stop it from burning down your town or stealing your babies.

In this series, I’ll be looking at the creatures of fantasy – where they came from, how authors have used them, and what potential they have in the stories we’re writing now.

I’m starting with fairies. They are also known as the fey, the little people hiding in mystical groves, winged humanoids often thought to be pretty or playful – but not always quite so benign. Various other critters have been grouped under the fairy banner – imps, sprites, gnomes, nymphs and goblins, for example – but in this article I’ll be talking about the kind that are only ever called fairies or some variation thereof.

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Using Fantasy to Enhance a Story

Even when the characters’ adventures are fantastic, a good story should have an emotional core which is personal, drawing from common human experience to help readers connect with our characters.  A story written in this way needs little imagination to prop it up. Which is why, in my efforts to write fantasy, I’ve been asked:

If a story is universal, why do you need the magic?

Magic comes with the price of a built-in distance between your events and your reader which can keep you from achieving the potential of your story. Guarding the passageway to an important official, I can hint at the terror of a pair of trolls, or I can connect readers directly to the fear of two condescending and semi-sadistic guards. I can wound my character with the blast of a fireball from a distant wizard, or I can bring my readers the terror of being knifed by a killer.

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