High fantasy – Mythic Scribes Test Site

A key element of any successful novel is a cast of vivid, compelling characters. I recently discussed the topic of character development with author Frank LaVoie, whose debut novel Firesoul has been praised for its colorful characters. We also chatted about the special importance of characterization in the sub-genre of High Fantasy.

You are an unabashed fan of so-called “epic” or “high” fantasy. Can you elaborate on what sets this sub-genre apart from other forms of fantasy?

High Fantasy serves as the category’s best example in terms of defining the archetype. Typical structures might include the questing hero, a supportive band of allies, fantastical settings, magic as a vehicle for both good and evil, and a vast array of other fictional and far-fetched elements.

This article is by Frank LaVoie.

For those of you not familiar with the YA moniker, it refers to the genre of Young Adult literature. In the realm of publishing, it is most often coupled with the word ‘fantasy’, thus denoting a fairly specific breed that has proven its popularity in the form of the Harry Potters and Percy Jacksons of the literary world. The growing scope of YA Fantasy has been wholly responsible for an entire generation taking to books. Even medical science has had to pay attention; they credited Rowling’s works with the highly contagious Hogwart’s headache, onset by nonstop reading of the author’s seven-hundred-word whoppers.

But does the rising fashion-ability of YA Fantasy come at a price?

Writing Character-Driven Fantasy

Is YA the Death of Epic Fantasy?