Fantasy – Mythic Scribes Test Site

Your World in Ruin — Worldbuilding Without a Story

In a recent trip to Palestine, I encountered a ruin. Playing amongst the ruins were two children. They were indifferent to the blocks of shaped stone worn down by time and wind. Indeed, by the growth of weeds and the trash strewn about, most were indifferent to it. But a story lay within. I ventured … Read more

Lessons of the Last Witch Hunter

by Kassan Warrad

When The Last Witch Hunter first hit the theaters, the reviews were a mixed bag of complaints and acceptance. Many often stated that the movie entertained, but lacked the depth of a blockbuster offering. I have to admit, such reviews prevented me from watching the movie on the big screen. A recent international trip offered … Read more

The Obsessive Worldbuilder Quiz

by Philip Overby

Do you spend weeks and weeks designing the ceremonial cloaks that your orcs wear for their Annual Wereboar BBQ?

Do you sketch maps of obscure villages that haven’t existed in your world for thousands of years on napkins?

Do you lie awake before bed and think, “I really should figure out how the ogres in Fazbaath take care of their teeth.”

If you even thought for a split second, “This sounds like me,” then you might be an Obsessive Worldbuilder.

Now let me start out by saying, this isn’t a bad thing. You have a certain eye for detail that some of us can only dream of having. However, it might be important to factor in the “Story-Worldbuilding Ratio.”

Avoiding Fantasy Fatigue

by Philip Overby

If you’re reading this article you might be thinking two things:

1. Why would a fantasy website feature an article about being burned out with fantasy?

2. I’m burned out on fantasy, so I want to see what this guy rants about.

Well, to put this into perspective, I’m a life-long fan of fantasy, have written it for years, and consider it my bread and butter. However, I often hear the advice, “Read outside your genre.” The same can apply to writing. Embracing different styles and genres might just increase your love for your “main genre.”

Is it bad to abandon your main genre for a spell and try something else? Let’s explore this idea together, shall we?

Keeping Readers Reading (And Yourself Writing)

by Philip Overby

It’s becoming easier and easier for people to put books down these days. With so many entertaining distractions in the world, writers have to fight for readers’ attention more than ever.

Normally, I approach these articles only from the stance of a writer. However, today I’m going to wear two hats: one small writer’s beret with an over-sized reader’s fedora over it.

While it’s sometimes hard to think in two different modes, thinking as a reader can help you answer the age old question, “Is this story worth my time?”

Magical Creatures for Magical Worlds: The Minotaur

by Alice Leiper

Minotaur as depicted in The Lion, the Witch and the Wardrobe

If ever you are stuck for ideas, look to Greece.

In the ancient myths and legends of Greece, there are intriguing prophecies, clever generals, jealous deities, inventive punishments – and frightening beasties. Herodotus is a favourite of mine for such tales, but there’s plenty to draw from. The plays of Euripides and Sophocles, or for a more comedic bent, Aristophanes. The histories of Thucydides and Xenophon, the biographies of Plutarch.

But the best source for today’s topic is Apollodorus and his Library of Greek Mythology, in which is told the story of the Minotaur.

Writing What You Know When There’s No Way to “Know” It

by Featured Author

This article is by Selah Janel.

If there’s one piece of advice I’ve heard from the time I was in high school until now, it’s “write what you know.” This used to bug me as a teen because I felt that my life hadn’t even started yet, so how was I supposed to write anything interesting?

It also seems to directly contradict the entire reality of writing genre fiction. How can you write what you know if you can’t live in impossible worlds, use magic, or go up against fantastic creatures? There’s absolutely no way this advice can be applicable if you write fantasy or any fantasy subgenre, right?

You’d be surprised.

‘Soft’ Magic Systems Still Have a Place

by Featured Author

This article is by Ashley Capes.

The idea that magic in fiction might possess or need a ‘system’ was nonexistent to me when I first read my favourites as a boy in the early 1990s.

Magic was but a component to the awe and wonder within the stories. I didn’t need to know how magic worked, only that magic worked. I never questioned it and certainly wouldn’t have wanted to. Gandalf, for instance, simply wouldn’t have been the same figure of mystery and power if I knew the way his magic functioned.