Creativity – Mythic Scribes Test Site

The Obsessive Worldbuilder Quiz

Do you spend weeks and weeks designing the ceremonial cloaks that your orcs wear for their Annual Wereboar BBQ?

Do you sketch maps of obscure villages that haven’t existed in your world for thousands of years on napkins?

Do you lie awake before bed and think, “I really should figure out how the ogres in Fazbaath take care of their teeth.”

If you even thought for a split second, “This sounds like me,” then you might be an Obsessive Worldbuilder.

Now let me start out by saying, this isn’t a bad thing. You have a certain eye for detail that some of us can only dream of having. However, it might be important to factor in the “Story-Worldbuilding Ratio.”

Help! I Accidentally Wrote a Novel

by A. Howitt

Okay, so the story wasn’t an accident, but its length was.

I searched for any way to pass lonely Wisconsin winter hours while my coworkers paced an empty showroom floor, waiting for clients who needed a vehicle badly enough to brave low temperatures and icy streets.

I hated all of it. In fact, I never meant to sell cars, either. While in school for auto body repair, I turned in an application to the body shop and they sold me the job on the showroom floor!

During slow times, I wrote. I scribbled notes on the backs of financing forms, filled pages of lined paper with a story, and even based my character off my predicament purely for inspiration—not as some sort of immature way to deal with my frustrating job. So what if a few salesmen wizards had a few bad things happen to them?

How to Hack the Habit of Creativity

by Brian DeLeonard

Writing a good novel demands a number of skills from an author. You need to have a strong writing voice. You have to be able to read people and get inside a person’s head. You should be able to let your characters provide commentary on life and the book’s themes, whether consciously or not. And you’ve got to be well read, well researched, and reflective so that you will be equipped to think things through.

But sometimes those skills, which require experience and thoughtfulness, can feel at odds with another skill that we need as writers: creativity.

The Benefits of Outlining: A Layered Approach

by Featured Author

This article is by Steven M. Long.

Everybody outlines. The second a writer imagines one scene following another, that writer is creating an outline, even if the outline is incomplete and only in their head.

Referring to a novel writer as an “outliner” usually indicates someone who feels more comfortable with and sees the benefits of knowing – sometimes in great detail – where their novel is headed.

As you can probably guess, I outline, and over the time I’ve been writing novels (I’ve written four, two of them pretty good) I’ve been told repeatedly that I should just “let it go” and that I’m “ruining my creative process.” As often as not, these comments come from people who’ve never finished a novel.

Writing Without Pants – Does Outlining Kill Creativity?

by Philip Overby

I’m not wearing pants. However, when writing novels, sometimes I like to sit in my jeans or maybe pajama bottoms. Wait a minute. I know what you’re thinking. “Is he really going to talk about the benefits of writing with or without pants?” Well, I was going to…

I think the more appropriate question might be, “How do you write?” Do you write with no pants (aka “seat of the pants writer” or “pantser”) or do you write with all your clothes laid out (aka “outline writer”)? This is an age old question that is often batted back and forth between writers of all types. When it comes to fantasy writing, boy, do you have a lot of work to do.

I’ll go point by point (with no pants), explaining why just making stuff up as you go along vs. outlining and world-building every minute detail can be both a pleasant and horrifying experience: like getting drowned by mermaids.

Finding your Writer’s Voice

by Dave Robison

One of the fundamental challenges confronting every writer is “finding their voice”, their unique expression in the field or medium in which they’ve chosen to express themselves. When Alasdair Stuart – editor of The Hub e-zine and host of the horror podcast Pseudopod – was asked to identify the quality that defines the stories he’s drawn to, he sited, “a strong confident authorial voice. That feeling of, for want of a better word, swagger. If you can hit that point where you are in absolute control of your story… but it’s still you, then that really makes me sit up and take notice.”

We all strive for that effortless grace and utter conviction that transports our readers to the worlds we’ve crafted. It can’t be faked, applied, or forced. It just is, and the way to achieve such prose is NOT necessarily to write more.