How to Spot Your Weaknesses as a Writer

There’s a question that crops up on writing forums a lot: how do I improve my writing?

And quite often, the most common advice is “read and write lots”. Which is perfectly fine advice. Knowing what’s good and practicing your craft are great ways to imrpove.

But there’s only so far that advice can take you. At some point you’re going to need to follow a third piece of advice:

Know your weaknesses.

By identifying weaknesses, you can work harder on improving that aspect of your writing rather than just practicing everything and hoping for the best.

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Fight for What’s Right: Moral Causes in Fantasy Worlds

We all want our protagonists to be engaging and for our readers to root for them.  One way to achieve this is to give the protagonist a goal which the reader sympathises with.

For some, it is to save a life or find something of value. For others, it is to change the world, to pursue a grand cause and improve life for thousands of people.

But it isn’t always that simple.

What cause do you pick, and how do you make it relevant and believable?

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Using History as Inspiration for Fantasy

Gerard Butler in 300

When others learn I am a writer, one of the most common questions I am asked is “where do you get your ideas from?” Now the obvious answer is “everywhere,” because life is inspiration for fiction.  But one of those places where it is easiest to draw the direct correlations between what I see or learn and what I write is in history.

Some of you might, at this point, be thinking, “Oh yes, kings and knights and castles and all that. What’s new about that in fantasy?” But history encompasses so much human lived experience, and we can use it in far more intricate and interesting ways than just including an idealised image of the medieval world.

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Howl’s Moving Castle: A Review of Its Adaptations

Howl's Moving Castle
Howl's Moving Castle
Howl’s Moving Castle

Howl’s Moving Castle by Diane Wynne-Jones was one of the first fantasy books I read. I bought it at a book sale at school, and loved it right away. Since then, I have bought it a further two times, after previous versions got lost or were lent to someone and never returned.

Because Howl’s Moving Castle has always been one of my favourite books, and because I had enjoyed films such as Spirited Away and Kiki’s Delivery Service, I was understandably excited when I learned that Hayao Miyazaki of Studio Ghibli was making a film adaption.

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Suspense and Pacing in Fiction

Oscar Wilde

There are many components to a good novel. An intriguing plot, relatable characters, suitable setting, fluent prose – to name but a few. And also suspense. To keep a reader, you need them to want to know what is going to happen next. You need them to have this constant curiosity, this yearning to find out how characters deal with their problems – or make new obstacles.

There are two ways to go about this. The first is to have a vague and mysterious prologue. A character wakes up on a beach with no memory of their life before that moment, or they have a premonition or strange dream, or the villain gives his right hand man a vague yet sinister instruction. Sometimes it works. Often it falls flat. Why?

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