Finding your Writer’s Voice

Leo Tolstoy

One of the fundamental challenges confronting every writer is “finding their voice”, their unique expression in the field or medium in which they’ve chosen to express themselves. When Alasdair Stuart – editor of The Hub e-zine and host of the horror podcast Pseudopod – was asked to identify the quality that defines the stories he’s drawn to, he sited, “a strong confident authorial voice. That feeling of, for want of a better word, swagger. If you can hit that point where you are in absolute control of your story… but it’s still you, then that really makes me sit up and take notice.”

We all strive for that effortless grace and utter conviction that transports our readers to the worlds we’ve crafted. It can’t be faked, applied, or forced. It just is, and the way to achieve such prose is NOT necessarily to write more.

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Starting out Strong – How to Write a Killer Opening

Whether you are planning to self-publish or go the traditional route, there are two important pieces of writing that you need to pay particular attention to.

The first is what is sometimes referred to as the back of the book marketing copy (which I may cover in a future post), but today I want to talk about your book’s opening.

Whether it’s an agent reviewing submissions or a potential reader browsing through new releases, if you aren’t compelling right from the start they’ll quickly move on—an opportunity lost.

So what makes a good opening?

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Bridging the Gap Between Author and Character

When sitting down to plan a story, I focus my attention on developing memorable heroes and horrendous villains, constructing epic settings filled with ancient magic, and crafting plots with satisfying endings. But what’s lacking is anything connected to the piece of advice that I’ve heard repeatedly:

Write what you know.

These words, which I’ve been told again and again, have vanished from my arsenal of aphorisms. I write fantasy, which means that I write from my imagination. I write about lives and experiences that have never existed in history. My characters are impossible to know before I meet them on the page.

That’s the downside. In fantasy, we don’t intuitively know our characters the way authors of another genre might.

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Medieval Armor – A Primer for Writers

Nigel Terry in Excalibur
Nigel Terry in Excalibur
Nigel Terry in Excalibur

Your character stands on the edge of the battlefield, where the fate of the world will be decided. He prepares to lead the charge that will change history forever. But as he raises his banner high, something is amiss; there’s laughter all around! A sudden gust of icy wind sends a shocking realization to the character—he’s naked.

Now, obviously your characters aren’t going to jump into the fray with their birthday suits on. That is, of course, unless you intend for them to do so. But chances are, without decent protection, your characters will die. So you’ve got a nude warrior against the world… now what?

Unless streaking is an ancient rite for summoning powerful forces to your character’s aid, you’re going to want to suit them up. But before you choose an armor type for your characters and armies, there are multiple factors that should be considered.

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Final Fantasy Reimagined: J-RPG+Western RPG=Awesome?

Final Fantasy XIII

Some complain that these Western games all follow the same tired tropes of fantasy though.  Generic monsters, a world that needs to be saved, variations of the same classes and skills.

I personally love both types of games, so I wonder what they’d be like if combined?  Would they be like a Reese’s Peanut Butter Cup?  Or more like a fried pickle sundae?

In regards to possible complaints from both sides of the pond, I’d like to propose a type of game that would appeal to both types of fantasy gamers.

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Howl’s Moving Castle: A Review of Its Adaptations

Howl's Moving Castle
Howl's Moving Castle
Howl’s Moving Castle

Howl’s Moving Castle by Diane Wynne-Jones was one of the first fantasy books I read. I bought it at a book sale at school, and loved it right away. Since then, I have bought it a further two times, after previous versions got lost or were lent to someone and never returned.

Because Howl’s Moving Castle has always been one of my favourite books, and because I had enjoyed films such as Spirited Away and Kiki’s Delivery Service, I was understandably excited when I learned that Hayao Miyazaki of Studio Ghibli was making a film adaption.

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Knowing What You Want

Do you know what you want?

It’s hard to know how to get started as a writer. Should you write short stories or a novel?  Should you stick with one genre, or try several?  Should you get an agent and submit to traditional publishers, or try the self-publishing route?

The answers to those questions depend entirely on what you want.  A full-time career as a writer?  Financial stability? (That’s a tough one to achieve by writing!)  Fame and respect?  To simply be able to say that you finished a novel-length story?

Some people say “I want to be a writer!” without really figuring out what that means.  Other folks just want to be able to say “I’m a writer” at cocktail parties and high school reunions.  They might not even need any publication credits; simply having tried makes them feel like a writer.

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Five Ways to Beat Writer’s Block

Writer's Block
Writer's Block
Blank Pages

This Article is by Currie Jean.

Writer’s block doesn’t happen to everyone, but even the fear of writer’s block can cause a few fits and starts before a writer starts to pen an opening paragraph. Countless solutions for writer’s block have been devised by many writers, and often work best for those same writers themselves. There are as many solutions for writers block as there are writers! Most of these solutions can be grouped into the following five types.

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